Hearst Essay Research Paper William Randolph Hearst free essay sample

Hearst Essay, Research Paper William Randolph Hearst and Citizen Kane Citizen Kane has frequently been considered one the best movie of all time made. This movie is about a struggle between two 20th century icons, the publishing house William Randolph Hearst and the prodigy of his clip, Orson Welles. This film was nominated for nine Academy Awards, but is booted off the phase with lone one award, for Best Screenplay. This was due to the great force per unit area from one of the most powerful work forces in the state, the adult male that Citizen Kane portrayed as a corrupt power hungry adult male, William Randolph Hearst. There is no manner that one can non disregard the striking similarities between Hearst and Kane. Orson Welles included a few inside informations about the immature Kane s life that, anyone with some cognition of Hearst life, would put anyone believing about the newspaper giant s life. We will write a custom essay sample on Hearst Essay Research Paper William Randolph Hearst or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Shortly after the movie begins, a newsman is seen seeking to detect the significance of Kane s last words rosebud. This newsman begins his hunt by traveling through the records of Kane s guardian Thatcher. The scene so begins to come to life in the midwinter that takes topographic point at the Kane s house. Kane s female parent has come into one of the richest gold mines in the universe, and at age 25, Kane will inherit this 60 million dollar luck. His female parent becomes dubious of the instruction system in Colorado ; hence she decides to direct her boy to analyze with Thatcher. Hearst s parents came by their money through gold mines, so both Kane and Hearst were raised with aureate spoon in their oral cavities. Kane is devoted to his female parent as Hearst was similarly to that. Both work forces pay attentiveness to their female parents wants while their male parents seem to be less powerful and were non every bit influential as their female parents. Kane s deceasing word, the name of his childhood sled Rosebud, is a town 20 stat mis east of where the Hearst s parents grew up. Everything from the newsreel at the start of the movie on Kane s life lucifers about precisely to that of Hearst s life. Kane ran many newspapers, had a well-publicized matter, tried to be elected to office, was wholly careless with his money, and built himself a pleasance castle called Xanadu. Hearst besides did all of these things over the class of his life-time, which farther leads people to be convinced that Hearst full life narrative was the purposes of Welles. After the gap newsreel, the film goes through the boyhood scenes of Kane s life where Thatcher takes him from his household. The film so rapidly displacements to when Kane is about to inherit his private luck. Thatcher is concerned that Kane will non cognize his topographic point in the universe ; his frights are affirmed when he receives a telegram signifier Kane stating that he would wish to run a little newspaper, the Morning Inquirer. Hearst s father owned a newspaper, The Examiner, which Hearst took over to seek and reform the deceasing paper. Both Hearst and Kane begin to instantly revolutionise everything about their documents. Kane makes it rather clear that, from now on, it was traveling to describe all the intelligence, big or little. Hearst did the same thing, doing his paper take on undignified subjects. Here is where a authoritative similarity is shown ; Kane about wholly quotes Hearst precisely. Kane exclaims: You supply the prose and verse form, I ll provide the war which was a wire that Kane sent to a adult male in Cuba. Hearst was really anti-Spanish during the Cuban revolution ; this war would hold neer been fought if it were non due to his attempts to get down it. Hearst would make anything for a headline, in which he would do up falsified narratives. In the following scene, Thatcher references to Kane his tremendous losingss, which have totaled to over one million dollars for the twelvemonth, which is a reeling amount to be lost by one individual. Kane nevertheless laughed it off as a gag, noting that at that rate he ll have to shut down in 60 old ages. All of these things were features of Hearst every bit good. Hearst threw money off as though it literally grew on trees to him. A adult male with an income of 15 million a twelvemonth had no nest eggs and sometimes had to borrow money from others, as did Kane. Right after taking over the Inquirer, Kane ordered the editor to play up the less of import narratives of the newspaper. The sort of things the state wanted to see and read approximately, non merely tiring old intelligence. Kane so became more involved in the paper and realized that he wanted his chief rival staff from the Chronicle. He bribed these work forces with big amounts of hard currency to travel to his paper. These tactics were really similar Hearst manoeuvres in many ways. Hearst loved to embroider and overstate the intelligence to acquire a better response and circulation. Hearst was besides co nstantly stealing talented correspondents from other newspapers. Hearst besides paid people any wage without attention, because money was no issue for him. The following scene opens with Leland, one of Kane s merely friends. Leland explained how no 1 could understand Kane because of the contradictions in his life and his beliefs. Leland explained how Kane was a steadfast truster in jurisprudence and authorities, but he stated that he did non see how either applied to him. Hearst was improbably egomaniac and besides shared the same beliefs as Kane did. Both were in changeless struggle with themselves. This trait is one that Kane played out to full consequence in the film. Both were besides steadfast trusters in their ain power. There is one thing nevertheless, that Kane wanted in life, that was love, but it was besides the one thing he neer found. He wanted people to love him merely as those did on his newspaper staff and went about doing it true by running for governor on an independent ticket. Hearst sought public office to, which was the governor of New York on an independent ticket. Both work forces used dirty and opprobrious candidacy methods, portraying their oppositions to be villains. Both in the film and in Hearst life, the household compulsion of running a newspaper began to fade out. Kane left the newspaper to be run by his work forces and did Hearst besides did that excessively. Both work forces were besides defeated in running for governor. The film so shifts to Susan Alexander s portraiture of Kane as her ain personal aspiration mill. Whatever she was missing, Kane supplied it for her and set his psyche into endorsing her, even though she was a awful vocalist. Hearst did the same for Davies, doing each film a greater victory for her. Davies was nevertheless talented, unlike Susan, but there was adequate similarities between the two adult females. The adult females were both vocalists, both loved saber saw mystifiers, and both were in well-publicized personal businesss. Both Kane and Hearst pushed and pushed their kept womans to their breakage point and ran their lives wholly. Kane so decided to get down edifice Xanadu, for them, a mammoth palace with mammoth animate beings from all over the universe. Hearst built San Simeon for them, which included a menagerie. Hearst nevertheless was genuinely devoted to Davies, unlike that of Kane and Susan. Finally in one of the last scenes, with Kane s pantryman s point of position, come two more similarities between the two work forces. At this point in clip in the film Kane flies into this violent fury when Susan decides to go forth him ; he goes into her room and begins to destruct everything that he can. Kane was a aggregator of everything ; he neer threw a thing out, and was ever purchasing something new. Hearst had similar piques and eccentric traits. Hearst would destruct 1000s of dollars worth of old-timers he owned, in a tantrum of fury and choler. He so would pass 100s on 1000s of dollars in replacing what he broke. Hearst besides was one who neer threw anything out. The film closed with the scene of the declaration of the rosebud mystifier. Among the multitudes of debris that Kane collected, laid a bantam wooden sled, the one from the twenty-four hours that Kane was taken from his female parent, which is seen being hauled off and thrown into the fire. Upon closer scrutiny, the word rosebud can be made out, as it is easy burned to nil. Now taking into history the grounds that was merely presented in the above paper, it is really clear to see that Orson Welles based the film Citizen Kane around the life of William Randolph Hearst, a fact that did non upset Hearst at all. However, Welles claimed that he had no purpose on his film being about person. Welles stated that the film was non based upon the life of Mr. Hearst or anyone else. Orson Welles unfavorable judgment of Hearst was the manner he went about acquiring what he wanted, utilizing his immense powers over the people of his state, to derive more personal power for himself. This subject is portrayed so strongly, in Citizen Kane. The film brought out that Hearst wanted love, but non merely the love of a few, but besides the love of all. Although Hearst was non a loveless monster like Kane was portrayed to be, he did nevertheless hold many mistakes, one being that he believed that he could purchase love. In decision, Orson Welles directed, helped compose, and starred in one of the greatest movies of all times, which had one sole intent. The intent of this film was to denounce Hearst and all work forces who were opprobrious with their power and public trust. Why did Welles pass so much clip and attempt on this one adult male s life? It was because Hearst, for his evident love for all people, was merely seeking to acquire power and love for himself by mistreating the most powerful arm of his twenty-four hours, the free imperativeness.

Conversation Analysis Definition and Examples

Conversation Analysis Definition and Examples In sociolinguistics, conversation analysis is the study of the talk produced in ordinary human interactions. Sociologist Harvey Sacks (1935-1975) is generally credited with founding the discipline. Also called talk-in-interaction  and  ethnomethodology. At its core, says Jack Sidnell, conversation analysis is a set of methods for working with audio and video recordings of talk and social interaction (Conversation Analysis: An Introduction, 2010). See Examples and Observations below. Also, see: Talking Together: Key Concepts in Conversation AnalysisAdjacency PairAsymmetry (Communication)Broken-Record ResponseConstructed DialogueConversationConversational GroundingConversational Implicature and ExplicatureConversationalizationCooperative OverlapCooperative PrincipleDialogueDirect SpeechDiscourse AnalysisDiscourse DomainDiscourse MarkerEcho UtteranceEditing TermIndexicalityInterlocutorMinor SentenceNonverbal CommunicationPausePhatic Communication and Solidarity TalkPoliteness StrategiesProfessional CommunicationPunctuation EffectRelevance TheoryRepairShort AnswerSpeech ActStyle-ShiftingTurn-Taking Examples and Observations [C]onversation analysis (CA) [is] an approach within the social sciences that aims to describe, analyze and understand talk as a basic and constitutive feature of human social life. CA is a well-developed tradition with a distinctive set of methods and analytic procedures as well as a large body of established findings. . . .At its core, conversation analysis is a set of methods for working with audio and video recordings of talk and social interaction. These methods were worked out in some of the earliest conversation-analytic studies and have remained remarkably consistent over the last 40 years. Their continued use has resulted in a large body of strongly interlocking and mutually supportive findings . . ..(Jack Sidnell, Conversation Analysis: An Introduction. Wiley-Blackwell, 2010The Aim of Conversation AnalysisCA is the study of recorded, naturally occurring talk-in-interaction. But what is the aim of studying these interactions? Principally, it is to discover how participants u nderstand and respond to one another in their turns at talk, with a central focus on how sequences of action are generated. To put it another way, the objective of CA is to uncover the often tacit reasoning procedures and sociolinguistic competencies underlying the production and interpretation of talk in organized sequences of interaction.(Ian Hutchby and Robin Wooffitt, Conversation Analysis. Polity, 2008 Adjacency PairsOne very common structure that has been identified [through conversation analysis] is the adjacency pair. This is an ordered pair of adjacent utterances spoken by two different speakers. Once the first utterance is spoken, the second is required. A few of the many adjacency pairs that have been identified are shown.SummonsanswerCan I get some help here?On my way.Offer - refusalSales clerk: May I help you find something?Customer: No thank you, Im just looking.Compliment  - acceptanceYour hair looks very lovely today.Thank you. I just had it cut.​(William OGrady, et al. Contemporary Linguistics: An Introduction. Bedford, 2001Response to Criticisms of Conversational AnalysisMany people who take a look at CA from the outside are amazed by a number of superficial features of CAs practice. It seems to them that CA refuses to use available theories of human conduct to ground or organize its arguments, or even to construct a theory of its own. Furthermore, it seems unwilling to explain the phenomena it studies by invoking obvious factors like basic properties of the participants or the institutional context of the interaction. And finally, it seems to be obsessed with the details of its materials. These impressions are not too far off the mark, but the issue is why CA refuses to use or construct theories, why it refuses interaction-external explanations, and why it is obsessed with details. The short answer is that these refusals and this obsession are necessary in order to get a clear picture of CAs core phenomenon, the in situ organization of conduct, and especially talk-in-interaction. So CA is not a-theoretical but it has a different conception of how to theorize about social life.(Paul ten Have, Doing Conversation Analysis: A Practical Guide, 2nd ed. SAGE, 2007)

The Value Of The Internet For Terrorists - Case Study Al-Qaeda Research Proposal

The Value Of The Internet For Terrorists - Case Study Al-Qaeda - Research Proposal Example With the enormous growth in the size and use of the network, positive aspects of the internet were challenged by the use of the internet by extremist organizations of various kinds. Groups with very different political goals but united in their readiness to employ terrorist tactics started using the network to distribute their propaganda, to communicate with their supporters, to foster public awareness of and sympathy for their causes, and even to execute operations [Weimann, 2004]. The cyber attacks arising from the events of September 11 reflect a growing use of the Internet as a digital battleground [Jenning, 2001]. Since 9/11, public awareness of, and government concern with, Internet security issues has mushroomed. Several news reports and studies have suggested that Al-Qaeda preparations for the terrorist attacks were facilitated by the use of new information and communication technologies, including those associated with the Internet [Deibert, 2006]. FBI Director Robert Muller while addressing the Select Committee on Intelligence of the United States Senate mentioned Cyber-terrorism as a clearly emerging threat. There is cause for uneasiness as the present generation of terrorist groups are found to be increasingly computer savvy, and some probably are acquiring the ability to use cyber attacks to inflict isolated and brief disruptions of U.S. infrastructure. Muller expressed apprehension that as terrorists become more computer savvy, their attack options will only increase [Muller, 2003]. In this context it is particularly important to make an in depth study on the efficacy and use of internet to terrorists groups and to evaluate their way of utilising the cyber world to spread their network and activities, such as for generating support, and networking among their affiliates. Objectives of the study 1. The study will focus on terrorist groups' 'use' of the Internet, in particular the content of the groups' Web sites, and Terrorist groups' use of the Internet for the purpose of inter-group communication and coordination. 2. The possible 'misuse' of the internet by terrorist groups 3. To analyse political agenda or religious fanaticism associated with cyber terrorism 4. To understand the nature and spread of online presence of Al-Qaeda and their gradual and systematic entry into cyberspace.

Alfred Wegener ideas about Continental drift Research Paper

Alfred Wegener ideas about Continental drift - Research Paper Example Wegner’s ideas on plate motion were later on developed by different researchers. One of them is Kiyoo Wadati, who suggested that plate motion has resulted in often earthquakes in Japan, and those earthquakes are connected to the continental drift. He compared data from different earthquakes and identified a specific earthquake zone in the oceanic trench (Garrison, p. 70). Hugo Benioff pointed out that Kiyoo Wadati’s findings were related to the â€Å"subduction of the seafloor†("The Giants of Science"). Harry Hess was able to move beyond Wegener’s ideas and develop them in a different direction. He discovered how the seafloor spreading operates and what role magma plays in it by filling in the deep oceanic trenches ("Harry Hammond Hess: Spreading the Seafloor") Ronald Dietz arrived at the same conclusion, however the Hess owns the idea that continents move together with an attached oceanic basin on the same crust (Garrison, p.70). Tuzo Wilson analy zed Hawaiian Islands and their relation to tectonic plates. He concluded that these island were created as a result of plate’s movement northwest over the â€Å"hotspots† ("J. Tuzo Wilson: Discovering Transforms and Hotspots").

Theory Research Essay Example | Topics and Well Written Essays - 750 words

Theory Research - Essay Example e research the social organisation theory and previous research that have been undertaken with regard to this theory, theories related to the social disorganisation discussed in this paper include the gang theory, the concentric zone theory, the cultural transmission theory and the differential social organisation concept. The Social disorganisation theory depicts that crime occurs as a result of failure by the society to organise its institutions, Assumptions of the social disorganisation theory on crime are that crime is caused by social factors, individuals in the society are unable to resist temptation and that the social structure in the society is unstable, according to the assumptions when crime occurs people blame the perpetrators and don’t blame on social disorganisation in the society, for this reason therefore it is almost impossible to identify the causes of crime. Robert Sampton (1997) developed the collective efficacy and social capital concepts, according to him collective efficacy referred to the maintenance of order in the society while social capital referred to the informal networks ties that exist in a society. He stated that a society must first achieve social capital in order to achieve collective efficacy, for this reason therefore he supported the social disorganisation theory by stating that modern societies lack social capital and therefore has not achieved social efficacy and this explains the existence of crime. The gang theory is also another theory that explains social disorganisation in the society. In this theory the various characteristics of gang behaviour include solidarity, shared traditions and cooperation. The theory depicts that gang’s start as groups and collected in certain areas of a society especially area between developed areas, for this reason the presence of gangs can explain the existence of high crime rates in certain regions. The concentric zone theory also explain the existence of crime due to social

Analysis Of Dantes Inferno English Literature Essay

Analysis Of Dantes Inferno English Literature Essay Dantes Inferno represents a microcosm of society; that is, laymen, clergy, lovers, wagers of war, politicians, and scholars are all collected into one place and punished for their worst and most human attributes. Hell, despite its otherworldly appearance and brutal, ugly nature, is somewhat humanized by the fact that those who are punished come from every country (Dante 3.123) and every walk of life, regardless of age, race, sex, or creed. While Dante Alighieri did not invent the idea of Hell as a place of punishment for the wayward and sinful souls in the afterlife, he did create the most powerful and enduring (Raffa 1) imagining of a concept which has received significant attention in biblical, classical, and medieval works. Dantes Divine Comedy was written sometime between 1308 and 1321 and is considered the supreme work of Italian literature (Norwich 27). It is an epic poem divided into three separate sections: Inferno, Purgatorio, and Paradiso Hell, Purgatory, and Heaven, res pectively. The personal element of the journey through Hell in Dantes Inferno literally explores the descent of one man into sin; through the use of poetic justice, both contemporary and historical figures, and mythological figures, Dante crafts an immediate and enthralling work dealing with the nature of sin and its place in society. The concept of poetic justice is famously explored in Inferno, where it is put to dramatic effect devising appropriate torments for each particular sin (Raffa 3). From Limbo to Treachery, Dante catalogues and documents the punishment of sinners both infamous and beloved, famous and unknown. In every case, the punishment fits the crime in a twisted and malignant fashion after all, the poem does discuss the realm of Satan, the Christian embodiment of evil. The nine circles of Hell described in Inferno are as follows: Limbo, Lust, Gluttony, Avarice and Prodigality, Wrath and Sullenness, Heresy, Violence, Fraud, and Treachery. These nine circles are based off of the idea of the Seven Deadly Sins, with some additions such as Limbo created by Dante. The poem begins with Dante lost in a dark wood, assailed by three beasts he cannot evade, and unable to move straight along (Dante 1.18) the road to salvation, represented by a mountain. A lion, a leopard, and a she-wolf symbolizing pride, envy, and avarice, respectively block Dantes path to the top of the mountain, forcing him to descend into the depths of Hell with Virgil. The entire journey documented in the Divine Comedy is an allegory for mans fall into sin before achieving redemption (represented by Purgatorio) and eventually salvation (represented by Paradiso). Before Dante even enters the gates of Hell, he is introduced to his guide for the first two realms of the afterlife, Inferno and Paradiso. For this role, Dante chose Virgil (70-19 BCE), who lived under the rule of Julius Caesar and later Augustus during Romes transition from a republic into an empire, and is most famous for the Aeneid. Two episodes in Virgils work were of particular interest to Dante. Book IV tells the tale of Aeneas and Dido, the queen of Carthage, who kills herself when Aeneas abandons her to continue his journey and [found] a new civilization in Italy (Raffa 8). Book VI recounts Aeneas journey into Hades to meet the shade of his father and learn of future events in his journey. Many elements in the Aeneid are present in heavily modified form in Dantes Inferno. Many of Dantes mythological elements are based on Book VI of Virgils Aeneid, which recounts Aeneas visit to the underworld. Virgil imbued his version of the underworld with a fluid, dreamlike atmosphere (5 ), while Dante instead strives for greater realism, providing sharply drawn and tangible figures. After passing through the gateway to hell, marked ominously with the words ABANDON EVERY HOPE, WHO ENTER HERE (Dante 3.9), Dante and Virgil witness a realm of miserable people who lived without disgrace and without praise (3.17-35) on the periphery of the Inferno. In this realm, the two poets encounter the souls of those who lived such undistinguished and cowardly lives that they have been cast out by Heaven and refused entry by Hell. These souls are forced to race after a banner which never comes to a stop, and are stung repeatedly by flies and wasps, their blood and tears nourishing the sickening worms (3.69) at their feet. The punishment for these cowardly souls is clear; just as in life they refused to be decisive and act, they now are barred from both eternal paradise and eternal damnation, and chase down a waving banner which they will never be able to reach. Next, Dante and Virgil meet Charon, Hells boatman. In the Aeneid, Charon is the pilot of the vessel that transports shades of the dead across the waters into the underworld. In both works, he is an irritable old man with hair white with years (3.83) who objects to taking a living man (Aeneas, Dante) into the realm of the dead. In each case, the protagonists guide (the Sybil, Virgil) provides Charon the proper credentials, and their journey continues. In Limbo, the guiltless damned, noble non-Christian souls, and those who lived before the time of Christianity are punished. The idea of a place for souls who did not sin; and yet lacked baptism (4.34-35) existed in Christian theology prior to Dante, but his vision is more generous than most. Dante includes unbaptized babies, as well as notable non-Christian adults in his version of Limbo, which bears a resemblance to the Asphodel Meadows, a section of the Greek underworld where indifferent and ordinary souls were sent to live after death. Dante suggests that those in Limbo are being punished for their ignorance of God by being forced to spend the afterlife in a deficient form of Heaven; while certainly not as hellish as the other circles, Limbo is by no means a paradise. Dante encounters the classical poets Homer (eighth or ninth century BCE), Horace (65-8 BCE), Ovid (43 BCE -17 CE), and Lucan (39-65 CE), who welcome back their comrade Virgil and honour Dante and one of their own (Dante 4.79-102). Philosophers Socrates and Aristotle also make appearances in Limbo as the shades of men renowned for their outstanding intellectual achievements. Socrates (born ca. 470 BCE in Athens) was a legendary teacher known for the rigorous method of questioning that characterizes the dialogues of Plato (ca. 428-ca. 347 BCE), who also appears. In addition, one notable non-Christian soul finds himself in Limbo, separated from the rest: Saladin, the distinguished military leader and Egyptian sultan who fought against the crusading armies of Europe yet was admired even by his enemies for his chivalry and magnanimity. Dantes implication is that all virtuous non-Christians find themselves in Limbo. The Lustful are punished in the second circle by being blown about by a hellish hurricane, which never rests wheeling and pounding (5.31-33). Lust, for many of the inhabitants of this circle, led to the sin of adultery and in the cases of Dido, Cleopatra, Helen of Troy, and others a violent death. The violent winds are symbolic of lust, and represent the power it holds in affairs of blind passion and physical love. Lust contains the shades of many famous lovers: Semiramis, Dido, Paris, Achilles, and Tristan, among others. Semiramis was a powerful Assyrian queen alleged to ave been so perverse that she even made incest a legal practice (Raffa 27); Dido, queen of Carthage and widow of Sychaeus, committed suicide after her lover Aeneas abandoned her (Virgil IV); Paris later died during the Trojan war; Achilles was the most formidable (Raffa 27) Greek hero in the war against the Trojans, who was killed by Paris (according to medieval accounts); finally, Tristan was the nephew of king Mark of Cornwall who fell in love in Iseult (Marks fiancee) and was killed by Marks poisoned arrow. Minos, the one who judges and assigns (Dante 5.6) the souls during their descent into Hell, is an amalgam of figures from classical sources, completed with several personal touches from Dante. He is a combination of two figures of the same name, one the grandfather of the other, both rulers of Crete. The elder Minos was admired for his wisdom and the laws of his kingdom. The second Minos imposed a harsh penalty on the Athenians (who had killed his son Androgeos), demanding an annual tribute of fourteen youths (seven boys and seven girls), who were sacrificed to the Minotaur, which appears later in Inferno. Minos long tail which he wraps around himself, that marks the sinners level (Dante 5.11-12) is Dantes invention. Gluttony is punished in the third circle. The souls of the damned lie in a vile, grimy slush brought about by cold, unending, heavy, and accursed rain (6.7-8). These former gluttons lie sightless and heedless of their neighbours, symbolizing their cold, selfish, and empty pursuit of hedonism and empty sensuality. The slush, representative of overindulgence and sensuality, serves to cut one off from both the outside world and from Gods deliverance. Gluttonous individuals of note include a Florentine contemporary of Dantes, identified as Ciacco (pig in Italian). Ciacco speaks to Dante regarding the political conflict in the city of Florence between two rival parties, the White and Black Guelphs, and predicts the defeat of the White Guelphs, Dantes party. This event did indeed occur, and would lead to Dantes own exile in 1302. As the poem is set in the year 1300, before Dantes exile, he uses the events of his own life to illustrate the unique ability of shades in Inferno to predict the future, a theme which is returned to later in the poem. Cerberus, guardian of Gluttony, is similar to the beast of Greek mythology. In the Aeneid, Virgil describes Cerberus the three-headed dog which guards the entrance to the classical underworld as loud, huge, and terrifying. Dantes Cerberus displays similar canine qualities: his three throats produce a deafening bark, and he eagerly devours the fistful of dirt Virgil throws into his mouths like a dog intent on its meal. Cerberus bloodred (6.16) eyes, greasy, black (6.16) beard, and large gut link him to the gluttonous spirits whom he tears, flays, and rends (6.18) with his clawed hands. The Avaricious and the Prodigal are punished together in the fourth circle. Avarice, or greed, is one of the inequities that most incurs Dantes scorn and wrath (Raffa 37). Prodigality is defined as the opposite of Avarice; that is, the trait of excessive spending. Both groups are forced to eternally joust with one another, using cumbersome stone weights as weapons. They call out to each other: Why do you hoard? Why do you squander? (Dante 7.30). Here Dante describes the punishment of both extremes, criticizing excessive desire for and against the possession of material goods using the classical principle of moderation. In the fifth circle, the Wrathful and the Sullen are punished. The wrathful fight each other eternally on the surface of the river Styx, which runs darker than deep purple (7.103), while the sullen lie gurgling beneath the water. Dante describes how the Wrathful combat one another: [They] struck each other not with hands alone, but with their heads and chests and with their feet, and tore each other piecemeal with their teeth (7.112-114). The wrathful are damned to eternally struggle and fight without direction or purpose, while the sullen have withdrawn into a black sulkiness from which they can find joy in neither God nor life. In the fifth circle, Filippo Argenti, a prominent Florentine and a Black Guelph, calls to Dante. A hotheaded character (Raffa 40), little is known regarding Filippo except what transpires in Inferno. He quarrels with Dante, lays his hands upon the boat the poets travel on, and is eventually torn apart by his wrathful cohorts. The two men were political opponents, but Dantes behaviour towards Filippo indicates a more personal grievance. Perhaps he had humiliated Dante in life, or had taken some part of Dantes property after his exile from the city. Phlegyas is the solitary boatman (Dante 8.17) who transports Dante and Virgil in his boat across the Styx, the circle of the wrathful and sullen. He was known in Greek mythology for his impetuous behaviour; in a fit of rage, Phlegyas set fire to the temple of Apollo because the god had raped his daughter Apollo promptly slew him in response. Phlegyas appears in Virgils underworld as an admonition against showing contempt for the gods (Virgil 6.618-620), a role which he reprises in Inferno. Between the fifth and sixth circles lie the walls of Dis, the fortressed city of Lower Hell (Raffa 39). The fallen angels who guard the gates of Dis refuse entry to the two poets, requiring the arrival of a messenger from Heaven to open the gate for them. Dante designates all of Lower Hell circles six through nine, where the most serious of sins are punished as the walled city of Dis, with its grave citizens, its great battalions (Dante 8.69). The first five circles, which exist outside of Dis, are collectively known as Upper Hell, as they are where the lesser sins are punished. With the appearance of the three infernal (9.38) Furies, who threaten to call on Medusa, Virgils credibility and Dantes survival appear to be at risk. Furies were often invoked in Virgils classical world to exact revenge on behalf of offended mortal and gods. Medusas hair was turned into snakes by an angry Minerva after Medusa made love with Neptune in the goddesss temple, and became too horrifying to look at without being turned to stone. Dante describes Medusa as the Queen of never-ending lamentation (9.44). The Furies names evil thought (Allecto), evil words (Tisiphone), and evil deeds (Magaera) (9.45-48) describe the three manifestations of sin, which can turn people to stone by making them obstinate cultivators of earthly things (Raffa 41). Heretics are punished inside the walls of Dis, in a spreading plain of lamentation and atrocious pain (Dante 9.110-111) resembling a cemetery. The sixth circle contains souls trapped and enclosed in fiery tombs for failing to believe in God and the afterlife. Since they did not believe in Hell, the Heretics are punished by being sealed away from it in the most unpleasant possible way inside a flaming sepulchre. Among the tombstones of the sixth circle, Dante encounters more Italian contemporaries. A pair of Epicurian Florentines are disocvered sharing a tomb: Farinata degli Uberti, a Ghibelline; and Cavalcante de Cavalcanti, a fellow Guelph and the father of Guido Cavalcanti, Dantes fellow poet and closest friend. Farinata is an imposing figure, rising out of his inflamed sepulchre from the waist up and seeming to have great contempt for Hell (10.31-36). As the leader of the Ghibellines, Farinata was an enemy to the Guelphs, the party of Dantes ancestors. Farinata declares that his colleagues would have annihilated Florence (10.92), had he not interceded forcefully, an act which has earned him Dantes respect. Cavalcante was an enemy to the Ghibellines, like Dante, and married his son Guido to Farinatas daughter in order to foster peace between the two parties. Dantes best friend, Guido Cavalcanti, was a poet who held the philosophical belief that love is a dark force which leads only to mis ery and death. Therefore, Cavalcantes appearance in Hell might be more a matter of guilt by association to his sons worldview than any kind of reflection on himself. The Minotaur is the guardian and mythological symbol for the seventh circle, Violence. At the sight of Dante and Virgil, the minotaur reacts like one whom fury devastates within (12.15), and his frenzied bucking allows the travellers to proceed unharmed. The Minotaur is a physical manifestation of violence in Inferno: almost every part of the Minotaurs story, from its creation to its demise, contains some form of violence (Raffa 55). The sinners in the seventh circle are divided into three groups: the violent against people and property, the violent against themselves, and the violent against God and nature (Dante 11.28-33). The first group comprised of assassins and murderers, among others are immersed in Phlegethon, a bloodred, boiling (12.101) river of blood and fire, up to a level commensurate with their sins (12.73-75). Because they committed such acts of bloodshed and destruction in their lives, they are punished by being immersed in a river of that which they have spilt. The second group the suicides are transformed into knotted, gnarled (13.5) thorny bushes and trees, which are fed upon by Harpies. These souls have given away their physical bodies through suicide, and are forced to maintain treelike forms. These suffering trees cannot speak until Dante accidentally injures one and causes it to bleed. Dante uses the soul-trees as a metaphor for the state of mind which leads to self-harm and suicide. Fi nally, the third group blasphemers and sodomites reside in a desert of sand, fire and brimstone falling from the sky. The blasphemers lie down upon the sand, the usurers recline, and the sodomites wander seemingly aimlessly in huddling groups, all while being burned by distended flakes of fire (14.28-29). This symbolizes how those who act violently against God and that which God has provided are perpetually unable to find peace and comfort in their lives. Among those immersed in Phlegethon is Alexander the Great, submerged up to his eyebrows in blood. He suffers for his reputation as a cruel, bloodthirsty man who inflicted great harm upon the world and its peoples. In the forest of suicides, Dante hears the tale of Pier delle Vigne, who killed himself after falling out of favour with Emperor Frederick II (Dante 13.64-69). Dante encounters his mentor, Brunetto Latini, among the sodomites. Surprised and touched by this encounter, Dante shows Brunetto great respect and admiration, thus refuting suggestions that the poet Dante placed only his enemies in Hell (15.43-45). The Centaurs are men from the waist up with the lower bodies of horses (Raffa 55) who guard the river Phlegethon. Thousands of centaurs patrol the bank of the river, using bows and arrows to keep damned souls submerged. In classical mythology, Centaurs are best known for their uncouth, violent behaviour. Chiron, leader of the Centaurs, enjoyed a favourable reputation as the sage tutor of both Hercules and Achilles. Pholus and Nessus the Centaurs assigned to escort Dante and Virgil have fully earned their negative reputations, however: Pholus who Virgil describes as full of rage (Dante 12.72) had been killed when a fight broke out during a wedding after he and his fellow centaurs attempted to carry off the bride and several other girls, and Nessus was killed by Hercules with a poison arrow for attempting to rape the heros wife, Deinira, after Hercules entrusted him with carrying her across a river (12.67-69). The penultimate circle as well as the most detailed is Fraud, which Dante describes as a place in Hell made all of stone the colour of crude iron (18.1-2). This circle is divided up into ten smaller pockets: panderers and seducers, flatterers, simonists, sorcerers, barrators, hypocrites, thieves, fraudulent advisers and evil councillors, sowers of discord, and falsifiers. Panderers (pimps) and seducers march eternally in opposite directions, lashed cruelly (18.36) by demons. Just as they used passion and seduction to bend others to their will, they are now themselves driven by hellish demons. Flatterers exploited other people using language, therefore, they are plunged in excrement (18.113), representing the false words they produced. Simonists payed for positions of power within the Catholic Church, and are placed upside-down into holes in the floor, with both soles [of their feet] on fire (9.25). The holes into which their heads are planted resemble baptismal fonts, used in sever al religious rituals a constant reminder of the corrupt nature of their former positions in the church. Sorcerers, astrologers, and false prophets have had their heads twisted toward their haunches (20.13) so that they can not see what is ahead of them. This symbolizes the twisted nature of magic in general specifically, it refers to the use of forbidden means to see into the future. Dante felt particularly unforgiving towards politicians after his exile from Florence, thus, corrupt politicians (barrators) are immersed in a stew of sticky pitch (21.8). Their punishment represents the sticky fingers, corrupt deals, and dark secrets inherent in positions of political power. The hypocrites listlessly walk with lagging steps, in circles, with features tired and defeated (23.59-60), wearing leaden cloaks, representing the falsity behind the appearance of their actions. This falsity literally weighs these souls down and renders any sort of progress impossible. The thieves are pursued an d attacked by lizards and snakes, their bites causing them to undergo various transformations (24-25). Just as they stole in life, their very human identity becomes subject to theft in Hell. Fraudulent advisers and evil councillors are encased within individual pyres. These individuals did not give false advice out of ignorance; rather, Dante refers to rhetoric [used] by talented people for insidious ends (Raffa 99). In life, they caused those whom they advised to do ill without dirtying their own hands now they are punished alone in their fires. The sowers of discord are hacked apart, their bodies dividing as in life they caused division among others. Their wounds are quickly healed, only to have themselves hacked apart again (Dante 28.139-142). Dante considers falsifiers (alchemists, counterfeiters, perjurers, and impersonators) a disease upon society, and their corrupting influence is reflected in their diseased bodies and minds (Raffa 99) in the tenth pouch. In the eighth circle, Dante meets a number of notably fraudulent individuals. Venedico Caccianemico, who sold his own sister to the Marchese dEste, is recognized among the pimps in the first pouch, despite his attempts to avoid detection (Dante 18.40-60). In the fifth ditch, the thief Vanni Fucci is burnt to ashes before being reincarnated; Agnel blends together with a reptilian Cianfa; and Buoso exchanges forms with Francesco. Vanni Fucci was a black Guelph from Pistoia, a town not far from rival Florence; Dante says he knew Vanni as a man of blood and anger (Dante 24.129). Agnel is thought to be Agnello Dei Brunelleschi, a man who joined the white Guelphs Dantes party but then switched to the black faction when they came to power. Both he and Cianfa are renowned for their thievery. Buoso stole while serving in public office, then arranged for Francesco de Cavalcanti to take over and steal on his behalf. In the eighth pit, Ulysses and Diomedes are condemned for the deception of th e Trojan Horse, luring Achilles into the war effort, and stealing a statue of Athena from Troy (26.58-63). Dante encounters the schismatic prophet Muhammad; the poet views Islam as an off-shoot from Christianity, and similarly condemns Ali, Muhammads son-in-law, for the schism between Sunni and Shiite Muslims (28.22-33). The Malebranche (Evil claws in Italian) are the devils of the fifth pocket of circle eight who bring to Hell the shades of corrupt political officials and employees. They are agile, smart, and fierce (Raffa 77), they are armed with long hooks, which they use to keep the shades under the surface of the black pitch (Dante 21.55-57). It is likely that the names Dante coined for individual demons (Bad Dog, Sneering Dragon, Curly Beard, etc.) are based on actual family names of civic leaders in Florence and the surrounding towns. The Giants physically connect circles eight and nine: standing on the floor of circle nine, they tower over the inner ledge of circle eight with the upper halve of their immense bodies. They are archetypal examples of defiant rebels: Nimrod, who attempted to build the Tower of Babel before it was knocked down by God and his people were scattered; Ephialtes, who fought against Jove and the other Olympian gods; and Antaeus, whose relationship with the titans who stormed Mt. Olympus damned him, despite the fact that he was born after his brothers had waged war against the gods. Nimrod has been punished by being forced to speak an incomprehensible language; that is, his language is as strange to others as theirs is to him. Ephialtes, like the rest of the titans who challenged the gods, is immobilized with heavy chains. Antaeus is not given any exceptional punishment, for he is only guilty by association. It is Antaeus who assists Virgil and Dante by lowering them down to the ninth circle , after being enticed by Virgil with the prospect of eternal fame upon Dantes return to the world (31.115-129). The final circle is Treachery, a frozen lake at the centre of Hell, which is divided into four Rounds: Ca?na, Antenora, Ptolomaea, and Judecca. In Ca?na, traitors to their kindred are immersed in ice up to their faces. In Antenora, traitors to political entities are located similarly in the ice. In Ptolomaea, traitors to their guests are punished, lying on their backs in the ice, with only their faces uncovered. In Judecca, the traitors to their lords and benefactors are completely encapsulated in ice, distorted in pain. In the first round of Treachery, Dante encounters Mordred, who attacked his uncle King Arthur and was pierced mortally by Arthurs lance (Dante 32.61-62). In the second round, Count Ugolino pauses from his ceaseless assault upon the head of his rival, Archbishop Ruggieri, to tell Dante how Ruggieri imprisoned and killed him with his children. This story, the longest single episode related by a damned soul in Inferno, serves as Dantes final dramatic representation of mankinds capacity for evil and cruelty. Fra Alberigo, who had his brother killed at a banquet, explains a key conceit of Dantes Inferno: sometimes, a soul falls into Hell before they have actually died. Their earthly bodies are possessed by demons, so what appears to be a walking, living man is actually beyond the point of repentance (33.134-147). Finally, Lucifer the emperor of the despondent kingdom (34.28) lies at the centre of the Inferno. As ugly as he once was beautiful (34.34-36), Lucifer is a wretched contrast with his limited autonomy and mobility. Lucifers three faces (black, yellow, and red) parody the doctrine of the Holy Trinity: three persons (Father, Son, Holy Spirit) in one divine nature the Divine Power, Highest Wisdom, and Primal Love which also created the gates of Hell, and, by extension, the entire realm of eternal damnation. His flapping wings generate the wind that keeps lake at the centre of Hell frozen, while his three mouths chew on the shade-bodies of the three archtraitors Judas, Brutus, and Cassius the gore mixing with tears gushing out of his three sets of eyes (34.53-57). Dantes Inferno heralded a revolution in Christian theology through its innovative use of poetic justice, historical and contemporary figures, and classical mythology. By combining these disparate elements into a single, cohesive poem, Dante effectively changed the way the Western world imagined the afterlife and Hell in particular. By focusing on the details of the scenes and the identities of those whom the fictional Dante converses with, Inferno illustrates a horrifyingly real and immediate vision of Hell, one which has persisted at least in some part to this day. By focusing on the personal journey of one man through the afterlife, the focus of the narrative is shifted onto the reader, who can easily identify with Dante as the first-person narrator. While the circumstances surrounding the creation of the Divine Comedy Dantes exile from Florence, his fall from political grace, and his eventual death soon after the completion of his magnum opus are rather tragic, they all contri bute to Dantes work in a way which colours the text and gives it a personality and passion which is still felt to this day. For seven hundred years, Inferno has elicited strong responses from its readers from fascination to revulsion and everything in between (Raffa 5). Regardless as to the readership, the response to Inferno has been, and will continue to be, anything but apathetic.

Ease Of Using Search Engines :: essays research papers fc

â€Å"It is easy for all users to find specific information on the World Wide Web†. Because the web is relatively new in terms of reaching a large percentage of a country’s population, users’ experience, understanding and expertise varies widely. Technically-minded people will arguably have been familiar with the World Wide Web for longer, and therefore be able to find specific information more efficiently, if not more quickly than less experienced users. Defining ‘easy’ in terms of using the World Wide Web is interesting. In terms of searching for a specific item, it could be defined as ‘the ability to satisfactorily fulfil a task within a short period of time’. The increasingly plentiful selection of search engines and reference sites on the Internet means that some users will experiment with different engines, whilst others will find one they are satisfied with and make it their first stop when wishing to find information. Users who experiment with a variety of search engines will take longer to familiarise themselves with each individual engine, this can take more time than a user who knows their way around their favourite engine. A user who is loyal to one or two search engines would therefore find it ‘easy’ to retrieve information, provided their choice of search engine successfully provided the required data. If, however, the chosen search engine were not successful, the user would then have the option of either altering their selection of words, or try again on a completely different engine, one that may be uncharted territory for the user. I have been loyal to a small number of search engines, because on the whole they have provided the information I require, albeit after attempting a small number of alternative input words or phrases. This loyalty has stemmed from both my becoming more familiar with these engines, and my acceptance that if my chosen search engines or reference sites cannot find the desired information, then it is unlikely I will have any greater success on entirely different ones. Moreover, having become used to a few search engines, namely ProFusion (Intelliseek) and AltaVista seems to lessen the attraction to try those unfamiliar to me, such as HotBot or GoZilla. The level of experience a person has with both computers and the World Wide Web can help determine what type of user they are. Sutcliffe suggests four categories detailed below,  ·Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Naà ¯ve  ·Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Novice  ·Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Skilled (or ‘Experienced’)  ·Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Expert The first of these – Naà ¯ve – refers to someone who has either never used computers before, or who uses them only very occasionally.

Andy Goldsworthy Is a British Sculptor, Photographer and Environmentalist

Andy Goldsworthy is a British sculptor, photographer and environmentalist living in Scotland who produces site-specific sculpture and land art situated in natural and urban settings. His art involves the use of natural and found objects, to create both temporary and permanent sculptures which draw out the character of their environment. The son of F. Allan Goldsworthy (1929–2001), former professor of applied mathematics at the University of Leeds, Andy Goldsworthy was born on 26 July 1956 in Cheshire] and grew up on the Harrogate side of Leeds, West Yorkshire, in a house edging the green belt.From the age of 13 he worked on farms as a labourer. He has likened the repetitive quality of farm tasks to the routine of making sculpture: â€Å"A lot of my work is like picking potatoes; you have to get into the rhythm of it. â€Å"He studied fine art at Bradford College of Art (1974–1975) and at Preston Polytechnic (1975–1978) (now the University of Central Lancashire) in Preston, Lancashire, receiving his Bachelor of Arts (B. A. ) degree from the latter. After leaving college, Goldsworthy lived in Yorkshire, Lancashire and Cumbria.In 1985 he moved to Langholm in Dumfries and Galloway, Dumfriesshire, Scotland, and a year later to Penpont. It has been said that his gradual drift northwards was â€Å"due to a way of life over which he did not have complete control†, but that contributing factors were opportunities and desires to work in these areas and â€Å"reasons of economy† The materials used in Andy Goldsworthy's art often include brightly-coloured flowers, icicles, leaves, mud, pinecones, snow, stone, twigs, and thorns. He has been quoted as saying, â€Å"I think it's incredibly brave to be working with flowers and leaves and petals.But I have to. I can't edit the materials I work with. My remit is to work with nature as a whole. † Goldsworthy is generally considered the founder of modern rock balancing. For his ephemeral works, Goldsworthy often uses only his bare hands, teeth, and found tools to prepare and arrange the materials; however, for his permanent sculptures like â€Å"Roof†, â€Å"Stone River† and â€Å"Three Cairns†, â€Å"Moonlit Path† (Petworth, West Sussex, 2002) and â€Å"Chalk Stones† in the South Downs, near West Dean, West Sussex he has also employed the use of machine tools.To create â€Å"Roof†, Goldsworthy worked with his assistant and five British dry-stone Wallers, who were used to make sure the structure could withstand time and nature. Photography plays a crucial role in his art due to its often ephemeral and transient state. According to Goldsworthy, â€Å"Each work grows, stays, decays – integral parts of a cycle which the photograph shows at its heights, marking the moment when the work is most alive. There is intensity about a work at its peak that I hope is expressed in the image. Process and decay are implicit. † Goldsworthy is a successful installation artist which inspires many people.

Virtual Reality - What it is and How it Works Essays - Free Essays

Virtual Reality - What it is and How it Works Essays - Free Essays Virtual Reality - What it is and How it Works Imagine being able to point into the sky and fly. Or perhaps walk through space and connect molecules together. These are some of the dreams that have come with the invention of virtual reality. With the introduction of computers, numerous applications have been enhanced or created. The newest technology that is being tapped is that of artificial reality, or "virtual reality" (VR). When Morton Heilig first got a patent for his "Sensorama Simulator" in 1962, he had no idea that 30 years later people would still be trying to simulate reality and that they would be doing it so effectively. Jaron Lanier first coined the phrase "virtual reality" around 1989, and it has stuck ever since. Unfortunately, this catchy name has caused people to dream up incredible uses for this technology including using it as a sort of drug. This became evident when, among other people, Timothy Leary became interested in VR. This has also worried some of the researchers who are trying to create very real applications for medical, space, physical, chemical, and entertainment uses among other things. In order to create this alternate reality, however, you need to find ways to create the illusion of reality with a piece of machinery known as the computer. This is done with several computer-user interfaces used to simulate the senses. Among these, are stereoscopic glasses to make the simulated world look real, a 3D auditory display to give depth to sound, sensor lined gloves to simulate tactile feedback, and head-trackers to follow the orientation of the head. Since the technology is fairly young, these interfaces have not been perfected, making for a somewhat cartoonish simulated reality. Stereoscopic vision is probably the most important feature of VR because in real life, people rely mainly on vision to get places and do things. The eyes are approximately 6.5 centimeters apart, and allow you to have a full-colour, three-dimensional view of the world. Stereoscopy, in itself, is not a very new idea, but the new twist is trying to generate completely new images in real- time. In 1933, Sir Charles Wheatstone invented the first stereoscope with the same basic principle being used in today's head-mounted displays. Presenting different views to each eye gives the illusion of three dimensions. The glasses that are used today work by using what is called an "electronic shutter". The lenses of the glasses interleave h) 0*0*0* the left-eye and right-eye views every thirtieth of a second. The shutters selectively block and admit views of the screen in sync with the interleaving, allowing the proper views to go into each eye. The problem with this method though is that you have to wear special glasses. Most VR researchers use complicated headsets, but it is possible to create stereoscopic three-dimensional images without them. One such way is through the use of lenticular lenses. These lenses, known since Herman Ives experimented with them in 1930, allow one to take two images, cut them into thin vertical slices and interleave them in precise order (also called multiplexing) and put cylinder shaped lenses in front of them so that when you look into them directly, the images correspond with each eye. This illusion of depth is based on what is called binocular parallax. Another problem that is solved is that which occurs when one turns their head. Nearby objects appear to move more than distant objects. This is called motion parallax. Lenticular screens can show users the proper stereo images when moving their heads well when a head- motion sensor is used to adjust the effect. Sound is another important part of daily life, and thus must be simulated well in order to create artificial reality. Many scientists including Dr. Elizabeth Wenzel, a researcher at NASA, are convinced the 3D audio will be useful for scientific visualization and space applications in the ways the 3D video is somewhat limited. She has come up with an interesting use for virtual sound that would allow an astronaut to hear the state of their oxygen, or have an acoustical beacon that directs one to a trouble spot on a satellite. The "Convolvotron" is one such device that simulates the location of up to four audio channels with a sort of imaginary sphere surrounding the listener. This device takes into account that each person has specialized auditory signal processing, and personalizes what each person hears. Using a position sensor from Polhemus, another VR research company, it is possible to move the position of sound by simply moving a small cube around in your hand. The key to the Convolvotron is something called the "Head- Related Transfer Function

Fast Food Restaurants in Guyana do more harm than good. Essay Example

Fast Food Restaurants in Guyana do more harm than good. Essay Example Fast Food Restaurants in Guyana do more harm than good. Essay Fast Food Restaurants in Guyana do more harm than good. Essay A silent escalating epidemic of malnutrition is the underlying cause of most deaths in Modern Caribbean Society. This phenomenon is significantly heightened with the increasing availability and accessibility of Fast Food Restaurants situated all over Guyana. Most of which are franchises, established initially in the country with the highest percentage of Obesity in the world, The United States of America. Indeed Fast Food Restaurants provide Job opportunities for Gayness citizens, but unfortunately that is the sole benefit, compared to the sundry detriments they pose o many areas of life. Firstly, the Caribbean is a tropical paradise, blessed with acres upon acres of land, to cultivate healthy food with ease, because of the warm climate. Fresh grown vegetables, and home cooked food is superior in terms of health standards to the food Available in Fast Food Restaurants, on many terms. : A basic example would be the health hazard, due to the resurges of oil in the Fast Food Restaurants. Moreover, left over oil, becomes rancid after four days, which is extensively dangerous to cook with, because it may cause lesions in the arteries, roving space for fat to stick and clog. In addition the meats from these Fast Food Restaurants, are highly preserved and contain food additives, which may cause Castro- intestinal problems, and have said to be cancerous. With all that has been said about the health risks that Fast Foods cause, it is must better to utilize the fresher and naturally grown foods, available right in Guyana. It must be said, with the Westernizes of Gayness culture and the first world influence, there has been much more Fast Food Restaurants being built since 1975. Hence it is only social to conclude that more people would eat from them, explaining the the growth of Obesity by 80% over the past two decades. This is a very unhealthy lifestyle for an individual, mot forgetting that the medical management of obesity is difficult and complex. The reason being Obesity allows for an ocean of diseases to affect the body. For instance obesity is associated with the development of osteoarthritis, breast and endometrial cancer, liver disease and most prevalently cardiovascular disease. The issue remains with over quarter of the Gayness Adult population overweight and ineffective use of resources, to treat them all. Apart from the multiple harmful effects of Fast Food Restaurants, and unbecoming culture of dependence and quite frankly laziness has evolved. There is no longer an appreciation of the diversity of foods offered in Guyana, instead people prefer Fast Foods because it is easier to get since there is the drive thrust, delivery and pick up services. Moreover, this postmodern way of life that has been adopted by Gayness takes a toll on them financially, especially, because the amount of money spent on a meal, can suffice to kook healthy food for up to four days. With that being said, it can be agreed, that a major socioeconomic problem is certainly the last thing Guyana needs. In all Fast Food Restaurants are mainly and originally an American influence, and it has been expanded and developed over the years, centrally promoting an unhealthy is not enough to compensate for the many diseases and health problems it may cause. Moreover Guyana as a developing country, cannot afford any major setbacks at this time, especially one that has the potential to affect the most important resource, which is the human resource.

Product Development Essay Example | Topics and Well Written Essays - 500 words - 4

Product Development - Essay Example Additionally, the company has relied on its perfect knowledge of the needs in the market, which have helped in the development of products aimed at fulfilling those particular needs. For this reason, the company’s suitcases are something that increases the experience of air travel. In the past, travelers have had to endure using suitcases and other bags that need to be tracked manually. This has seen many people lose their luggage while changing flights. Having this realization, Samsonite has developed a product that answers all these needs of clients in the market. Using their specially designed suitcases, the company offers high-quality goods that are highly secure with minimal costs. The fact that it has USB ports means that one can carry large volumes of data in the bag and fail to carry a laptop where it could cause security inconveniences in some airports. With an increase in the number of people using air transport in their daily travel, the company hopes to benefit fro m this trend, thus increasing its returns on investment. The firm seems to rely so much on technology as its key marketing capability. In this regard, the company hopes to use its online sites as effective platforms on which it can reach clients and sell their products. Currently, Manu explains that advancements in information and technology have made it easy for people to search for flight information and reach different destinations. In this regard, the social media has been very instrumental in the success of many online-based businesses.

SpotifyTM Essay Example | Topics and Well Written Essays - 2000 words

SpotifyTM - Essay Example Table of Contents Table of Contents 3 Introduction 4 Discussion 5 Overview of the Online Music Industry 5 Porter’s 5 Forces Analysis 6 VRIN Analysis 7 Analyzing Spotify’s Strategies 8 Information Technology in Spotify 9 Conclusion 10 References 12 Introduction Spotify is a Swedish company involved in providing music streaming services. The streaming content provided by the company is availed from a number of independent and major record labels (Gilmour, 2011). Some of the major content providers of the company include Warner Music Group, Universal, EMI and Sony. Spotify was founded in the year 2006 and is currently headquartered in London,  United Kingdom. The company however started to provide music streaming services from the year 2008. Within two years of its operation, the total membership of the company reached 10 million and between them around 2.5 million were paid members. According to latest reports, as of 2012 the total paid membership of the company reached more than 5 million (Barker, 2012). ... Recently, the company expanded its wings to countries such as Australia, Sweden, Faroe Islands, Belgium, Liechtenstein, Portugal, Denmark, Austria, Finland, France, New Zealand, Germany, Poland, Ireland, Italy, Luxembourg, Andorra, the Netherlands, Monaco, Norway, Spain, Switzerland, and the United States. This report will evaluate the strategies of the company with the help of several strategic frameworks. In addition, the report will also shed light on the strategic role played by information technology towards the progress of the company. However, the report will mainly emphasize on how the company is using information systems to support their business strategy. The report will begin by providing a brief overview of the digital music industry. Discussion Overview of the Online Music Industry The digital music industry can be broadly classified into two segments: the digital download market and streaming market. The digital music industry is one of the new business segments and is growing at a rapid pace. According to reports, in 2012 the revenue of this industry witnessed a growth of 8 % from 2011 and is presently valued at $5.2 billion (Thomes, 2011). However most of the revenue is generated by digital download business and the streaming market contributes only 10 % of the total revenue. Interestingly, the growth rate of the streaming market is more. Companies belonging to this industry, principally differentiate themselves on the basis of regions of operation, licensed music libraries, features, and also the packaging. Apart from that, companies are also offering several value added services which allow the users to know what their friends